Producers

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    The talented Isabelle Laurand, a Burgundian, is the cellar master responsible for making more than thirty cuvées from the Côte de Beaune and Côte de Nuits each year for Les Parcellaires de Saulx, a micro-négociant, founded in 2017 by Denise Dupré and her husband, Mark Nunnelly. The winery is in Meursault and was previously known as Manoir Murisaltien. A négoce house has existed in this space since the beginning of the 19th century.

    Each wine comes from a single parcel, emphasizing the work of the individual growers from whom Les Parcellaires de Saulx purchases must or wine. They only work with farmers who follow organic or biodynamic agriculture. In the cellar, no new oak is used and for most of the wines, only a single barrel is made.

    The reds are thrilling representations of their appellations – with beautiful purity, pretty fruit, earthiness, silky tannins, and pronounced freshness. The whites are full of minerality, tension, and the right amount of weight and citrusy zip. - Michele Peters, French Portfolio Manager, Bowler.

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    Frédéric Leydet runs the Château Leydet-Valentin and Château de Valois, both his family’s estates. The wineries are less than three miles from each other and they are in a top growing area of Saint-Emilion and Pomerol. They are very near to Cheval Blanc, Figeac, and Angelus. The soil is composed of sand, fine gravel, and iron. Like Cheval Blanc, Valois and Leydet-Valentin also have a high percentage (nearly 25%) of Cabernet Franc planted to best express the terroir of this area.

    Each winery was passed down through the generations, but it was Frédéric’s father, Bernard Leydet who started bottling from only a few hectares of vines in 1962. Over the years, he gradually purchased more vineyards and at the time of his death in 2006, they had each grown substantially: nine hectares in Saint-Emilion and eight and a half hectares in Pomerol. Leydet was born and raised at the property and after studying vine growing and oenology, he came to work at the estate in 1996. Since he began he has introduced new practices, such as pruning and green harvesting. In 2012, he began the conversion to certified organic viticulture, receiving the certification for the 2015 vintage.

    In the winery, fermentations happen naturally in tank. The wines are aged on the lees in oak barrels without any racking, a strict minimum of sulfur and no fining or filtration. The hands off approach in the cellar gives wines that feel like an ultra-tradional Bordeaux. The wines have a nice amount of fruit and earthiness, backed by structure, and tannins that are present but do not overpower.

    BOWLER E-Zine Issue 2 | Q1 2021: Grower Bordeaux with Frédéric Leydet of Château Valois - Pomerol, France
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    Lilbert owns 3.5 hectare of vines- all Grand Cru, and all Chardonnay, with an average vine age of 45 years- in the Côte des Blancs. 60% of their vines are in Cramant, 30% in Chouilly and 10% in Oiry. These are three of the six Grand Cru villages in the Côte des Blancs. It is rare that any one house owns exclusively Grand Cru vineyards in the Côte des Blancs; Bertrand calls himself "very lucky" to be able to make wines from such prestigious vineyards. All of the parcels are vinified separately until two weeks before bottling. The NV represents 80% of the production and is aged in the cellar for two years. Dosage is normally around 7g/L, since Bertrand is going for acidity in his wines and not ripeness. (He does not perform batonnage because it makes the wines too heavy.) The winery is tiny and the latest investment is a 4,000kg pneumatic press and a disgorgement machine. Each bottle is still riddled by hand. The end result is a true connoisseurs champagne.

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    Lockhouse Distillery is the first distillery to open in Buffalo, New York since Prohibition. Nestled in the Historic Cobblestone District, they produce six flagship and two seasonal spirits. They are dedicated is to producing spirits that are high quality and distinctive both in cocktails and on their own, with a focus on local ingredients. Cory Moscato -- The Master Distiller -- is kind of a wonderful mad scientist obscessed with aeromatics and bitters.  It shows in the quality and balance of all of thier products.

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    Made at one of England’s foremost gin distilleries – the Langley distillery which can trace its roots back to 1785 – London hill dry gin is produced using the traditional pot still method. 43% abv a crisp gin London Hill’s bias towards subtle citrus tones comes from ribbons of citrus peel including lemon and sweet orange. This along with the other carefully selected botanicals gives a spicy fruit edge and delivers an exceptionally smooth and refined gin. The botanicals which include juniper berries citrus peels and coriander seeds are first macerated with neutral grain alcohol to extract their individual flavours and characteristics. No artificial flavours oils or essences are used in the making of London hill dry gin. All the ingredients are natural and sourced from the four corners of the world.

    The distillery is situated in the historic Crosswells Brewery Site which dates back to the early 1800s and was built over an ancient underground water source. Gin has been distilled at Langley Distillery since 1920, continuous improvements to the site along with our long history and heritage in gin making has resulted in a facility which produces globally award-winning gins of the finest quality.

    Our stills at Langley Distillery are some of the oldest working copper gin stills in the UK, some of them dating back to the early 1800s.

    MACKAY- Dating back the 1860s this copper pot still is one of our oldest, made by Bennett Shears & Sons. The capacity is 200 litres of concentrate ANGELA- Made in 1903 by John Dore, the capacity of this still is 1,000 litres. CONSTANCE-Made in 1950 by John Dore, the capacity of this still is 3,000 litres. JENNY- Dating back to 1994, Jenny is Langley Distillery’s newest still. Built by McMillians, the capacity of this still is 12,000 litres.

    The botanicals are carefully weighed out and added to the still, along with a charge of ethanol and water solution. The still lid is then shut and the steam jacket switched on to allow the gentle warming of the still. This warming process allows the botanicals to begin releasing their oils for distillation; this process of maceration continues over night.

    The following morning, once the maceration has completed, we start heating the still again, this time to higher temperatures making the charge boil. The boiling process begins to turn the liquid into vapour which rises to the swan neck and water-cooled condenser, turning the vapour back into liquid. The distillation is separated out into three parts; heads, hearts and tails. It is only the heart section that we use in our gin-making process; this liquid holds the most subtle and refined of the aromas and flavours given off during the distillation. The concentrate produced is between 78%-82% ABV and cannot be used alone to make gin. We blend the concentrate with neutral alcohol, to create high strength gin that is reduced with water to bottling strength.

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    Lopez de Heredia - one of the most venerable producers in Spain– produces traditional, age-worthy Rioja. Their wines are legendary and still made the way they were when the winery was founded over 130 years ago. Following a tradition that has been passed down through generations, their wines are released at least 5-10 years after harvest, which provides added complexity and elegance to their Crianzas and Gran Reservas. 

    A rarity in Rioja, Lopez de Heredia uses only estate bottled fruit from their prized vineyards- Tondonia, Cubillo, Bosconia, and Zaconia- with the idea that the only way to get the best fruit is to care for the vines themselves. The Tondonia vineyard is their most famous; over 100 hectares, it is situated in a shell-shaped depression on the right bank of the river Ebro, where the most typical Rioja wines are grown. The soil is alluvial clay with a high proportion of limestone. Average vine age is 45 years old and organic farming and natural fermentations are implemented, creating wines that exhibit great terroir. Grapes from Viña Tondonia are always used in making their highest quality wines, with truly exceptional vintages becoming Gran Reservas. The first Reserva was bottled by the founder in 1890; a few bottles of this are still kept in the family wine museum.

    The winery itself is a remarkable structure. When D. Rafael López de Heredia y Landeta began building the bodega in the late 1800's, little did he realise that his masterpiece would one day be acknowledged as an example to the rest of the industry of the most perfect combination of buildings and vineyards. Like many medieval masterpieces it is still incomplete. The buildings stand below and above ground, and are a veritable "cathedral to wine".  Moving through the vaulted underground corridors and staircases, you find yourself travelling back in time, and the founder’s touch can still be sensed in the very stones and fabric of the building.

    "I have adored, indeed occasionally worshiped, the wines of Lopez de Heredia for many years, so I am not ashamed to admit that visiting both their vineyard and their winery was a pilgrimage. Founded by Rafael Lopez de Heredia y Landeta in 1877, it has withstood the tide of corporatization and homogeneity, and epitomizes timeless, artisan winemaking in their own individual, almost solipsistic manner. Technology is noticeable by its absence here. For example, to quote her sister Maria-Jose at a tasting that I subsequently attended in London: “Indigenous yeasts have adapted to high temperatures. To control the temperature during fermentation, we open doors and windows” and “malolactic is the invention of modern winemakers.” I had to check whether this was 2012 or 1912. If you were to award points for charisma, then this producer would be in a league of its own. That would count for nothing if their wines were not distinguished, individual, long-lived and above all, delicious. It is commonly known that if you are seeking bags of fruit and lashings of oak, this is not the place to come. My views and these scores might be irrational to someone with a penchant for lush, voluptuous Rioja. Lopez de Heredia is the apotheosis of traditional, classic wines: taut, fresh, bucolic, utterly charming and amazingly long-lived. I spent two or three hours with winemaker Mercedes Lopez de Heredia, who was celebrating her birthday with, appropriately enough, a bottle of Tondonia Gran Reserva from her year of birth. I urge readers to access the video I took of Mercedes explaining the vineyard in her own breathless style. In the meantime, I will crack on with the wines. 'Wines should talk by themselves,' Maria-Jose enthused to her enraptured audience at a tasting in London. 'My father was a vine maker, not a winemaker. Each wine is a reflection of a different land that my great-grandfather bought. Our wines respond to the history of Rioja.' I would add to her comments that since these are mainly aged wines, a bottle of Lopez de Heredia is an individual and each time you meet, you may see a different side to its personality. So treat these reviews as they are: snapshots at a given moment. We commence with their white wines and indeed, I know of several connoisseurs who rate these even better than their reds and I can sympathize with that view. "  -Neal Martin, The Wine Advocate, August 2012

    www.lopezdeheredia.com


    The following is a list of their vineyards, NOT the wines themselves; please inquire for availability.

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    In 1821 the mayor of Chénas, Jean-Marie Loron, began exporting the wines of Beaujolais and Mâcon around the world. After taking over the business some years later, Jean-Marie’s son married one of the daughters of the Charlet family in 1852. Her family owned the Clos de Billards vineyard in Saint Amour and, following the marriage, the two businesses merged. By the 1900’s the Loron family was one of the most famous négotiants in Beaujolais, with holdings in almost all of the famous crus. Unlike other négotiants, however, the individual domaines continued to produce their wine independently using the traditional methods they always had. Six generations later, this venerable family is still firmly rooted in the region and still producing outstanding Beaujolais. The individual domaines are run by Xavier and Gregory Barbet or their family members, all of whom are direct descendents of the original owners. Each winery is run independently and the wines are bottled at each domaine: Domaine des Billards, Château de Fleurie, X. & N. Barbet, and Château de la Pierre. Loron has many relationships with growers throughout Beaujolais and Mâcon and they have purhcased fruit for many generations from the same families for the Beau! and Loron Macon and Pouilly-Fuisse wines. 

    The Beaujolais region is finally getting the recognition it deserves and the Loron wines are perfect examples; these are impressive wines with surprising complexity and elegance. They would not be out of place in any collector’s cellar, nor on the table with your next meal. Luckily, good Beaujolais is still one of the great values in French wine. Although delicious when young, the wines are incredibly age-worthy. A recent tasting of wines ranging back into the mid-1970’s showed great intensity and complexity without any sign of fatigue.

    There is a personal connection for us too:

    "Owner Xavier Barbet is my wife’s first cousin and I have spent many a good time with him and his family. It was he-with four cases of cru Beaujolais as a wedding gift-who got me into wine, and I am very happy and excited to be able to work together." – David Bowler

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    Owned and run by winemaker Ignacio Valdera, Bermejos is on the easternmost island of Lanzarote. Only 125km from the African coast, conditions here are extreme. A volcanic explosion that lasted from 1730-1736 covered the entire island in lava and ash 3-5 meters deep. Consequently, each vine must be planted in a hole or hoyo that breaks through that infertile volcanic crust of petrified lava to the organic matter that can nourish it. The wind, which acts as a natural fungicide, is so ferocious that each hoyo is surrounded by rock walls for protection. The flora on Lanzarote  – including the vines – cannot grow up very high; there are not enough nutrients in the soil to support sprawling greenery. Yields are miniscule (16 hL/ha) and each berry is concentrated with flavor. All vineyard work is done meticulously by hand. Some of the wines are certified organic, depending on the vintage. Ignacio supplements his crop with purchased fruit from growers who share his vision of sustainable viticulture; with such low yields the winery would have to own most of the land on the island in order to produce financially sustainable quantities of wine from exclusively proprietary grapes.

    www.losbermejos.com

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    Vega Sicilia and Benjamin de Rothschild began the Macán project 10 years ago with the steady acquisition of parcels in Rioja, purchased from small farmers. In this way, they quietly built up what is now a sizeable holding of 120 hectares, all within 10 km of the village of San Vicente in the Rioja Alta.  (The name “Macán” is derived from a traditional name for the people of this sub-region of Rioja.) We are in prime Rioja territory here: near the foothills of Sierra Cantabria, at the northerm limit of the region's vineyards. This cooler zone produces small berries with fresh acidity, bringing structure to offset the power of the fruit.

    Each year, the winery aims to produce two wines, Macán and Macán Clasico, in a tradition they took from Bordeaux, where it is standard to produce a “first” and a “second” wine; the first is made with lots that show more potential, and the second is more expressive and easy to drink when young.  This is perhaps the most notable influence of the Rothschild family on the project, because otherwise all viticulture and winemaking is in the hands of the Vega Sicilia team. The style of the wines is certainly not ‘traditional’ Rioja– for example, after trials, they decided against American oak. Perhaps the term Neo-Classical is most apt, with complex mineral-infused fruit and discreet oak influences, underpinned by a fine but firm structure.

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    Maestà della Formica (the “Majesty of the Ant,” named after a nearby mountain pass), is a young biodynamic farm in the village of Careggine, in the wild, mountainous northwest of Tuscany.  Straddled between the Garfagnana and the Apuan Alps, an hour and a half north of Lucca, we are well off the beaten path of Tuscany’s more famous touristic centers and lauded wine regions. Not far are the Massa-Carrara quarries, where Michelangelo sourced his marble for the David.  Wine-wise, there is no DOC or DOCG to be found here, and grapes are all mixed together in tiny parcels:  Sangiovese, Ciliegiolo, Syrah, Gamay, Bonarda, Canaiolo, red Muscat of Hamburg, Abrusco, Canavese, Pollera, Trebbiano, Malvasia, Vermentino, even Riesling. Even Blaufränkisch.  Legend has it that this hodgepodge of vine material came from pilgrims on the Via Francigena, walking from Canterbury to Rome. Or from Italian wet nurses returning from their work abroad.  I’m afraid we’re not in Kansas anymore…

    At the helm, attempting to gently guide the inherent biodiversity of Maestà della Formica, is Andrea Elmi.   His 3.2 hectares of vineyards range from 50 to 150 years old, between 700m and 1050m, spread between five different villages. He also runs the Rifugio Alpi Apuane, a seasonal farmstay/mountain refuge restaurant.  This allows Andrea to explore his other passion, la cucina, with the bounty from a hectare of fruit orchards of heirloom Garfagnana cultivars, as well as many foraged Alpine ingredients. Some examples of his creations:  elderflower berry “capers,” hay syrup, pickled fir buds, peach and helichrysum compote. They’ve even developed a product line in conjunction with the Parco Alpi Apuane, a UNESCO Global Geopark. Eat your heart out, Noma.

    We are pleased to welcome the Ant, in all its Majesty, to Bowler!

    To learn more:
    www.maestadellaformica.com
    @maestadellaformica
    www.parks.it/parco.alpi.apuane/

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